Having borrowed enough money from the Poison Girls to manufacture five thousand copies of Stations, which we felt was probably the most we could reasonably expect to sell, we had budgeted the record accordingly. In the liner-notes of the re-release, as part of the The Crassical Collection, Rimbaud states: The expenses the band had to make were financed by an initial loan made available by the Poison Girls, the punk band centered around Vi Subversa, that released music on the Crass Records label in 19. The idea to release a double album was ambitious and (relatively) expensive, but the band had ideas by the tons and Crass made sure that consumers paid the bare minimum. The fourth side contained live recordings and had to be played at 33-RPM. The band used the same recipe for Stations Of The Crass, however the band had so much new music that the songs extended into 3 record sides (all 45-RPM). ![]() The debut The Feeding Of The 5000 was a 12-inch, as it had to be played at 45-RPM. Ingres’ “The Valpinçon bather” versus de horrors of Hiroshima
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